Early Mornin’ Jazzin: Daybreak Express

Hi folks, how’re things? I discussed briefly how much time on air I have this week in my last message to you. Monday night from 1-5am I played some avant garde sounds: Carl Stone, John Cage and Chainsaw Jazz. It was a good time. I started the night with a little Stan Getz & Charlie Byrd Jazz Samba to transition from the show prior to mine, Latin Jazz Hour. A lovely friend of mine spent the first few hours hanging with me, and we joyously danced (?) to Carl Stone (can you dance to Carl Stone?). After they left I got super super scared by John Cage and a litany of voices. I then got super tired. Chainsaw Jazz was a good energetic end to the night.

This morning has proved itself more enjoyable. I went to bed early and arose at 4:30am with an abundance of energy. I started listeners off with The Enchantment, an album featuring Chick Corea and Bela Fleck. It’s a truly fantastic record with interesting elements of bluegrass thanks to Fleck’s banjo and always held down by Corea’s virtuosic and uniquely energetic piano playing. My favorite track on that one is “Brazil.” (attached below).

Next, the sweet sweet soulful sounds of Ray Charles graced the airwaves. I played his album The Genius Hits the Road a wonderful little collection of classics. There’s really nothing like some Ray Charles for your heart, mind, and soul. We were still in the 5am hour, but I was dancing to “Basin Street Blues,” “New York’s My Home,” and “Deep in the Heart of Texas.” Thank you Ray.

To get some contrast after the crackly deep tones of Ray’s voice, I put on Snarky Puppy’s album We Like It Here, a soon to be classic. They may just be the best modern jazz band from Brooklyn now, but some day Phil Schaap will be playing them. Seriously. Listening to the drums on “Lingus” now, I am literally laughing thinking about how good they are. My confidence in my choice was boosted when right after announcing the Snarky Puppy record a listener called in just to tell me what fantastic programming I’m doing this fine morning. Nice. And then another listener called deeper into the album to complement my programming as well! All these nice folks in the world. Jazz is social justice, and it has been for many many years. I hope it will bring America together in the future like it did in the past. And not through the unfair exploitation of “black gold” as Jesse Williams so eloquently put it at the BET Awards last year. His speech is extremely worth listening to; he quotes Billie Holiday.

I’m writing this while listening to the truly climactic end to We Like It Here, “Lingus.” It’s some crazy crazy shit. We’ll listen to some Joe Pass solo guitar next to cool down. All any of us really want is someone to play guitar for us like Joe Pass does (or to play guitar like Joe Pass). A whole lot of love goes into each pluck of his guitar strings. I actually don’t think I can name any guitarist who has a warmer color than Joe Pass does. His guitar sounds like a rosy luminous red but at the same time is extremely soulful and can be so damn bluuuuues-y.

Don’t forget to tune in Saturday night / Sunday morning 1-6am EST to hear me spin some more jazz on Jazz Till Dawn: 89.9FM NY and wkcr.org.

 

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