Concert Review: Marc Ribot and Ceramic Dog at The Stone

So I’m interning for WKCR (89.9FM New York or online at wkcr.com) Columbia’s PREMIER radio station and also the first FM station (kinda). It’s wonderful. Good people and great music and a legitimate commitment to noncommercial and alternative broadcasting. I’ve been thoroughly enjoying learning  and listening.

I’m interning for jazz and new music. The jazz department is really top notch but also maybe a little pretentious. The new music department is very kind and weird and wonderful. During one new music listening session a senior department member put on Ceramic Dog’s album Party Intellectuals, and it was so cool. I’d enjoyed Ribot’s guitar playing many a time before (mostly with Ribot y Los Cubanos), but I’d never heard it quite like that. Ches Smith’s wild drumming and the wonderfully emo and weird vocals brought it all home for me.

Sunday I went with some new music department people to see Ceramic Dog at The Stone, John Zorn’s space devoted wholly to experimental music. The Stone is a magical place that was enthusiastically introduced to me by KCR folks the minute I announced my intention to pursue new music. It was as cool as promised.

The show was wild. I was thoroughly engrossed by Ribot’s ingenious playing and Ches Smith’s absurd energy. The vocals they did were also pretty cool. Some creepy whispered vocals done by Ribot were notable. Ches Smith though was conceivably my favorite part of the show. His drumming was unlike most drumming I’d seen / heard before just for its sheer constant energy. Also that fucking bass . . .

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